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Sun Kissed History of California

There is nothing better than having someone contact you and say they really connect with your work and want to have a piece for their home or collection. That is golden. What made this scenerio even more precious is this particular family is part of our California story. And to keep the California “gold” theme rolling, the part of California history they are connected to is considered California’s second “gold rush”.

Through some creative and excellent marketing, California created it’s second gold rush through….CITRUS! By 1920, citrus was our second largest industry, which was only exceeded by oil. The Southern California Citrus Exchange helped shape our state through a campaign slogan “Oranges for health, California for wealth”. This campaign not only put oranges in the midwest and eastern cities but helped encourage an influx of new citizens to our sunny climate to grow their own orchards. The highest quality oranges were marketed under the name of “Sunkist”. These fun facts just scratch the surface of the entire impact of citrus.

In my painting, a lovely mythical female figure gives a nod to our citrus history. She stands as a modern goddess Pomona, the Roman mythical goddess of fruit trees and orchards. I loved weaving the themes of the “land of sunshine”, abundance, and the glittering story created to sell California oranges to the east and encourage people to move to California.

My goal was to share the story of the industry that makes up this couple’s livelyhood. I think the painting shares both the history of California citrus and reflects the present worldwide reach of citrus growers today. This commision was a joy to work on. It was a great addition to my Califia series and was inspired by a fellow creative Debbie Phillips, from the Sunkist family.

Sunkissed, 52x42”, oil and cold wax on canvas

Endings are Promising Beginnings

Seasonally, winter has a fuzzy beginning and end in California. Our recent cataclysmic storms certainly proclaimed winter was here. While I am enjoying our bright sunny days, I do hope for more rain…(just well spaced gentle rainy days please!) before we proclaim Spring is here!

Like California winter, my artwork and inspirations have fuzzy endings and beginnings that weave together. One idea morphs into the next. Right now I am in full production on the 89 Cloud piece and starting a series of mulit media paintings built on a 1866 Farmer’s Almanac. These two projects focus on water, food, and farming in California. My time at the White Buffalo Land Trust has expanded my understanding of regenerative farming principles and how that can change the world and combat our climate crisis.

Just One Drop

An inspirational beginning of my cloud fascination is marked by the 5 year anniversary of the River’s Journey project. This project was an immersion into our water source in Santa Barbara and gave birth to my fascination with clouds.

Just One Drop, 5x7” Gouache

Bloomin Senorita

The river morphed into female figures where my Califia series sprouted.

Bloomin’ Senorita, 30x30” Oil and Cold wax on canvas

The Nature of Clouds

Clouds became tangible and an installation called, The Nature of Clouds, was built. Trees and plants were suspended in air while crystal rain hung silently , fixed in space. This was a great way to be engaged with the Wildling Museum of Art and Nature during Covid.

89 Clouds

And now I am back to clouds. Cloud scapes are on assorted serving platters, plates and cutlery…vehicles that carry our food to our tables and mouths. Here, water and food source concepts unite while I am learning about regenerative farming practices at the White Buffalo Land Trust. Click here to learn more.

Stay tuned, I am busy at work preparing for a new show that will debut this summer! I will keep you posted.

Warm wishes for the coming season,

Holli